Fabrice Serafino
set and costume designer
 
2011: • Costume and set design for "Little Eyolf", by Henrik Ibsen, directed by Anthony Biggs, Jermyn Street Theatre • Costume and set design for "20,000 Leagues Under the Sea", adapted and directed by Russ Tunney, Nuffield Theatre, Southampton • Costume and set design for "Live like Pigs", by John Arden, directed by Vicky Jones, Oxford School of Drama • Costume and set design for "Macbeth",by William Shakespeare, directed by Rae Mcken and Suba Das, Custom/Practice, UK tour 2010: • Costume and set design for “A Christmas Carol” adapted and directed by Patrick Sandford, Nuffield Theatre, Southampton • Costume and set design for “On the Harmful Effect of Tobacco/Can Cause Death” by Anton Chekhov/Alison Carr, directed by Charlotte Bennett for Forward Theatre Project, Cottesloe, National Theatre • Lecture/workshop at V&A for “Rephrasing Ballet Russes” with English National Ballet • Costume and set design for “Riverside Drive/Old Saybrook” by Woody Allen, directed by Patrick Sandford, Nuffield Theatre, Southampton • Costume and set design for “KRAZY KAT”, music by Joanna Lee, words by Howard Skempton, directed by Bill Bankes-jones, The Opera Festival, Riverside studios • Costume and set design for “Nana” by Olwen Wymark, directed by John Baxter, LAMDA Linbury Studio • Costume and set design for “Edmond” and “Sexual perversity in Chicago” by David Mamet, directed by Aaron Mullen, LAMDA Linbury Studio 2009: • Costume and set design for “The Wind in The Willows” directed by Patrick Sandford, Nuffield Theatre, Southampton • Costume and set design for “Or Nearest Offer” by Tanya Ronder, directed by Vik Sivalingam, Almeida Theatre • Costume design for “Rites” choreographed by Anthony Missen and Kevin Turner, Company Chameleon • Costume design for “Before Night Fell” choreographed by Beth Cassani, Company Chameleon • Costume and set design for “Daisy Pulls It Off” by Denise Deegan, directed by Vik Sivalingam, Cockpit Theatre • Costume and set design for “Mad Forest” by Caryl Churchill, directed by Gemma Kerr, Cockpit Theatre • Costume and set design for “Vernon God Little” by DBC Pierre, adapted by Tanya Ronder, directed by John Baxter, LAMDA Linbury Studio • Costume and set design for “Food” by Joel Horwood and Christopher Heimann, directed by John Bashford, LAMDA Linbury Studio • Costume and set design for “Speculators” by Tony Marchant, directed by Joseph Blatchley, LAMDA Linbury Studio • Costume design for “Hinterland” choreographed by David Massingham, Bare Bones Dance Company, touring production • Costume design for “dAYdREAM” choreographed by Stephen Sheriff, ArTELIER, Bridewell Theatre • Costume design for “Eight Ball” choreographed by Glenn Wilkinson, performed by Clara Barbera, Madrid 2008: • Costume and set design for “The Story of Aladdin” directed by Patrick Sandford, Nuffield Theatre, Southampton • Costume and set design for “POOL (NO WATER)” by Mark Ravenhill, directed by Holly Maples, The Actors Company, Norwich Playhouse • Costume design for “Conversaciones” choreographed by Clara Barbera, Valencia • Costume design for “Two Solos as a Tribute To Norman Morrice”, choreographed by Alexander Whitley, Rambert Dance Company, touring production • Costume and set design for “Dear Body”, choreographed by Luca Silvestrini for Protein Dance, touring production • Costume and set design for Magpie by Probe, artistic directors: Antonia Grove and Theo Clinkard, touring production • Costume design for The Viewing Room by D. J. Rubin, directed by A. C. Wilson, The Arts Theatre. • Costume and production design for Bloomberg TV Graph Promo, directed by Rupert Cresswell, London. 2007: • Costume and set design for “Peter Pan” by J.M. Barrie, directed by Patrick Sandford, Nuffield Theatre, Southampton. • Costume and set design for “Marathon” by Edoardo Erba, directed by Jonathan Humphreys, Centro Cultural Vila Flor, Guimarães, Portugal. • Costume and set design for “The Time of Our Freedom” composer Connor Mitchell and writter Matthew Hurt, directed by Matt Peover, choreographed by Luca Silvestrini, YMT:UK, Belfast. • Costume and set design for “Medea” by Jean Anouilh, directed by Suba Das, Theatre Royal Stratford East. • Costume and set design for “The Cage” by Deborah Gearing, directed by John Burgess, Nuffield Theatre , Southampton • Costume and set design for “The Grizzled Skipper” by Maggie Nevill, directed by Patrick Sandford, Nuffield Theatre, Southampton. • Costume and set design for “Savage/Love” by Sam Shepard, directed by Anthony Bigg, Theatre 503. • Costume and set design for “Motel Chronicles” by Sam Shepard, directed by Gemma Kerr, Theatre 503. • Costume and set design for “Anatomica ≠3” choreographed by André Gingras. Rambert Dance Company. • Costume and set design for “In The Hands of Others” choreographed by Dane Hurst, Rambert Dance Company workshop season. 2006: • Set design for the research of the next production of Probe Project, artistic directors: Antonia Grove and Theo Clinkard.To be premiered in January 2008. • Costume and set design for “Jack the Lad” by Matt Harris, directed by Phil Setren, C Venue, Edinburgh Fringe Festival. • Costume design for “Wild Fruit” by Robert Farrar, directed by Phil Setren, Oval House, London. • Costume and set design for “Medusa Hotel”, written and directed by Cheryl Govan, Westwood Campus, Scarborough • Costume and set design for “Hitting Town” by Stephen Poliakoff, directed by Gemma Kerr , Southwark Playhouse • Production designer for “Kala ( Bride)” directed by Miri Shapiro at The London Film School • Costume design for "Nest" choreographed by Ana Lujan Sanchez, performed by Rambert Dance Company, the Place, London. • Assisted Delia Peel on "Every Man in His Humour"by Ben Jonson, BADA. 2005: • Costume and set design for "Cattle-prod Shakedown" by Joel Horwood , directed by Cheryl Govan, Performed by the Stephen Joseph Youth Theatre at the SJT, Scarborough. • Costume and set design for "The Crimes of Mr Punch" directed by Cheryl Govan at the Stephen Joseph Theatre • Set design for "Elegie" choreographed by Stephen Sheriff, performed by Ballet Black at the Linbury Studio, ROH, Covent Garden • assisted L.Travers and Y. Sonnabend on "Nutcracker" for K-Ballet. 2004-2005 Motley Theatre Design Course 2005 : Costume design for "Cartilage " choreographed by Ana Lujan Sanchez for Rambert Dance Company at the Place . Before September 2004 worked in the industry as a dancer : 2002-2004 Rambert Dance Company ( dir. Mark Baldwin) UK 2003 Set design workshop performance of "Sense of Self" choreographed by Ana Lujan Sanchez 2001-2002 Compagnie Rouge Indigo (dir. Gwendaline Bachini) France 2001 Company Alba (dir.Nathalie Ruiz) Sweden 1997-2001 Cullberg Ballet (dir.Lena Wennergren and Margareta Lindstrom) Sweden 1995-1997 Rambert Dance Company (dir.Christopher Bruce ) UK 1994-1995 English National Ballet (dir. Derek Deane ) UK 1990-1994 Bejart Ballet Lausanne (dir.Maurice Bejart ) Switzerland 1989-1990 Jeune Ballet de France (dir.Robert Berthier ) France 1982-1989 Dance training : Centre de danse Christiane Espitalier in La Valette du Var . France
 
 
 
 
BIOGRAPHY